Sunday, March 23, 2014

"We Declare a New Enlightenment" - a response to David Lowery's 'A Letter to Emily'

Further on Music Lawyer Chris Castle's view of the Revolution - a link to - and a critique of - a piece by David Lowery - Lecturer at the Department of Economics, University of Georgia, Artists Rights blogger at "The Trichordist", and former guitarist for Camper Van Beethoven:

The Trichordist, June 18, 2012 | "Letter to Emily White at NPR All Songs Considered."
by David Lowery
http://thetrichordist.com/2012/06/18/letter-to-emily-white-at-npr-all-songs-considered/


Interesting article (I suggest read it first; and then my retort below).


I posit that what we*, the internet generation are perusing is an open and free (as in connected) internet; and the problem with David Lowery's take is that it remains stuck in the old broadcast universe. What it doesn't see is that digital copying means that ALL content can no longer be held in a vault and distributed with the rotation of a turn-stile that is held open or closed by a vendor.

To explain I will make the following statement with in the context that I see, we exist in - as an extreme example to illustrate the point.

In order to illustrate how the new architecture of the digital content universe is so inexorably different that of the previous, just passed model represented by the movable type printing press (1440) to broadcast networks (1999) - the architecture of the world wide web - in a form as envisioned by it's founders, and integrated into the base level of ALL computers (the computing system under the Operating System - the computer itself), and the architecture that supports the world wide web - means that:

'All content that hither-to was produced with an eye to pay the creators and their partners via the turn-stile pay-per-view model ... is dead.'

Other-wise the internet will become an undemocratic place where the sum of all human knowledge will be parceled out to those you can afford it.

We stand at a nexus between a great democracy enabled by a world wide connectivity - or on the other hand, a connectivity that serves only an elite with special knowledge; that uses the web's other great possibility - it's ability to act as a two-way portal ... to surveil, and to use this function of the two-way technology to hold down the populace - to continue the 'special knowledge combine'. In short, to enable a global totalitarian epoch; a new Dark Age.

So when David Lowery compliments the internet generation's great moral and ethical stance on a wide variety of social justice issues - and then criticizes their immoral use of the www as it applies to how how they get their music - he does a great disservice to their ethical enlightenment. What they are doing in refusing the DRM, DMCA universe of the dinosaur broadcast (one-way) universe in the new, two-way universe.

It is nothing short of Martin Luther nailing the notice to the Holy Roman Empire's Church door.

'We declare a new enlightenment'.


The stark choice we face is - free all the content that was hither-to sold in order to pay the creators - and begin to find a new way to pay the creators. Creators will still create - we do this becuase we have to - it's not a career - it's like breathing air - all humans need to create - it's a foundation stone of what it means to be human. The cannons of a culture's creative content are crucial inexorable - not something fun, entertaining, titillating.

The recording industry will die, and so too will the TV networks - and the Newspapers - and Hollywood - and the Book Publishers ... But another way to employ creators and keep them crafting us our stories (we all are not the craft-persons we need to be to reflect back to us what we are). In short - the process that defines us - the act that is at the foundation for all other conversations in a culture ... will find a new metric; there is no question about that - and it will happen very quickly.

What needs to happen right now, is that the systems in place that dominate that content production economy, must get out of the way - and permit the new economy to birth and flourish.

The seeds and the sprouts of it are already abundant - they just aren't robust an spread around so much just yet.

Fear not, the future is coming - and it will be much better than the past.

Of this I believe, the digital generation is absolutely certain.


(I note that in this revolution there are a great number who may have little exposure to the philosophy here - but yet play with glutinous glee in this pirate garden that seems to be 'free' content. Nothing is free, the price may be quite steep after - by participating in this discussion I hope to shine some light towards that dark corner as well.)

____________________




Via today's email notification from Chris Castle's: MUSIC • TECHNOLOGY • POLICY | "The MTP Interview: David Lowery on artist rights" - by Chris Castle | http://musictechpolicy.wordpress.com/2014/03/23/the-mtp-interview-david-lowery-on-artist-rights/


* 'we, the internet generation' - in 2006 - from three newspapers every day, writing on paper, drawing on paper, recording to tape, broadcast TV - I turned it all off in the wake of the propaganda run-up to the Iraq War and the long unfolding of the horror itself; and dove - 'all-in' - into digital communications:
"michaelhollowaysblog" - 2006/12/20 | "The Tension of Life; and the Death of Ease." | http://michael-holloways-blog.blogspot.ca/2006/12/tension-of-life-and-death-of-ease.html




mh

Friday, March 21, 2014

You take the Low Road and I'll take the High Road --- I hate the way Texas Music Lawyer, Chris Castle sees the world

Chris Castle writes about music, technology and policy.

A subject very dear to my heart.

He and I don't see eye to eye.

Today he re-posted a post from 2012 in his blog, "Music • Tech • Policy" that I thought I'd comment on - but he uses WordPress and the widget there wanted me to give them my password in order to leave a comment.

No thanks - so here.

A casual example of how Google profits from lyric piracy and screws songwriters

June 4, 2012 by Chris Castle

I just happened to get a call from a songwriter about an illegal use of the lyrics from his songs. Thus we found http://www.lyrics007.com registered in–wait for it….China. Statshow estimates the monthly revenue is $41,000.00, 112,000,000 annual visitors and Google indexes over 600,000 pages.

After a little poking I found that Lyrics007 has just about any song you would want and–I know this will come as a shock–plenty of advertising. Served by? Google, of course. In fact, we saw plenty of ads for Google Play itself as well as YouTube partner promotions.

Little Big Town promotes Google Play and McDonalds as well as some drug ad for birth control:

IMAGE 1

Not only that, but Google is serving this illegal site ads for the H20 Festival and the Warped Tour to help a pirate site stay in business–oh, and make money for Google, of course.

IMAGE 2

And you know where the AdChoices “Free Music Download” ad goes to?

IMAGE 3

And then if Bob Dylan thought that getting a Presidential medal would get him any copyright protection, boy was he wrong:

...

[Read the rest and see the images at the link below]



To which I replied:
Why demonize Google? They're innovating all kinds of cool new ways to monetize music online using digital networking best practices.
You don't really want Google (all search engines) to stop listing do you?
What you really want is a bigger slice of an increasingly bigger online pie. Why not just say so?
I firmly believe that Artists should get 50% of all revenues derived from their work; so now that record companies no longer have a role in publishing and distribution - artists need to form a union of artists/publishers/distributors that fights for 50% of all revenues from all sources globally.
Google is your 'friend' - make the best deal you can - but not with threats to sue your friend (re: partner) - but with Artist's Unity! (and lawyers).

:)

Michael Holloway.
Singer-songwriter,
Toronto

P.S. Ethnocentric slurs aimed at China (cold war anti-communism?), and plays to divisive politics (moderating toxic effects of birth control pills) are very disturbing. Chris, please take the high road in this.



MUSIC • TECHNOLOGY • POLICY - June 4, 2012 | "A casual example of how Google profits from lyric piracy and screws songwriters" by Chris Castle | http://musictechpolicy.wordpress.com/2012/06/04/a-casual-example-of-how-google-profits-from-lyric-piracy-and-screws-songwriters/




mh

Tuesday, March 11, 2014

Twitter embed example - #BikeMonthTO

How to make a updating Twitter embed that lists all Tweets that include a hashtag of your choosing:
  • Sign into your Twitter account; at the top of the page, click on the gear icon;
  • Click and chose 'Settings'; 
  • Then in the list on the left choose 'Widgets'; 
  • Now a page with some tabs across the top will appear.
  • For a updating hashtag list, click on the 'Search' tab; 
  • Add your hashtag (like ‪#BikeMonthTO) in the box where they provide an example;
  • Adjust the 'Height' and 'Link color';
  • Click 'Create'; 
  • Copy the code offered at the bottom of the page and;
  • Embed it in 'widget container' on your blog or website.
Here's a test embed that shows every Tweet that includes "#BikeMonthTO":




(you don't have to set 'width' - the embed adjusts itself according to the width of the container it is placed in.)




mh